• Identify and solve art technical issues while bridging the gap between artists and programmers.
• Help Management in realizing the production vision. Introduce improved production pipeline.
• Develop and manage training programs and workshops. Collect and maintain local technical resources and insure continued dissemination to all development teams.

Art Production: Maya, Motion Builder, Photoshop, Vegas, Nuke, Massive, 3dMax (intermediate)
Scripting: MEL, Python, SQL, MaxScript
Programming: C++, C#
API: Maya, FBX, Alienbrain NXN, Nuke, Shotgun

• Provide technical support for the art department
• Build and maintain art production tools and scripts
• Introduce and optimize art production pipeline

• Provide technical support for the motion capture department and solving pipeline automation
• Maintained motion capture solving scripts
• Deployed stand alone tool for prepping motion capture rig through range of motion data
• Developed a batch motion capture processing tool

• Delivered an assets automation solution for an online marketing company
• Reviewed and recommended pipeline solution for GCCJPP future production

• Through an extensive discussion with production staff and close observation of their workflow delivered scripts, plug-ins and applications that improved artist efficiency and consistency.
• Evaluated project�s technical and organizational risks while providing possible solutions.
• Published and maintained usage documentation for delivered procedures, scripts and applications.
• Trained production staff to effectively use such tools.

NBA 07(PS2, PS3) ; NBA 08(PS2, PS3) ; NBA09 (PS2 PS3)

• Analyzed and extracted art requirements through a thorough script breakdown.
• Produced clear art tasks and due dates while managing production interdependencies.
• Delivered, maintained and tracked a living art production schedule. Developed automation scripts/plug-ins for Maya and MotionBuilder such as Copy Skin Weight, Copy Texture UV, Attach and Export Collision Spheres, Plot Cameras, Split Poly Edge and Adjust Poly Pre-Light.

NHL FaceOff 2003 (PS2); World Tour Soccer 2003 (PS2); NFL Game Day 2004 (PS2); NCAA Final Four 2004 (PS2); NCAA Game Breaker 2004 (PS2); MLB 2004 2005 (PS2); NBA the life (PS2)

• Implemented the Director of Development vision through a functional definition of art direction for both internal and external production.
• Worked with the Director to plan and develop art budget.
• Reorganized internal art teams in order to increase team�s efficiency and balance artist responsibilities.
• Worked with Human Resources to develop job descriptions for all art positions. Interviewed, hired and evaluated internal art staff.

NFL xtreme (PS); NFL xtreme2 (PS); NFL xtreme3 (PS)

• Identified artistic and technical areas of improvements and delivered a functional production plan.
• Supervised and guided art team through the pitfalls of production to insure the superior quality and timely delivery of our titles.

NBA shootout 97 (PS) 2 Xtreme (PS); 3 Xtreme (PS)

• Was in charge of the design, capture, tracking and editing of all motion data for my team.
• Also applied my comprehensive knowledge of Alias Software along with other graphic tools, in the design and modeling of articulated hierarchical characters.

• Duties encompassed modeling 3D objects, creating textures, lighting scenes, animating objects and editing S.D.L. programs to speed up rendering and create special effects.
• Utilized Alias Power Animator, Ntitle (Xoas Tools), Mojo (Side Effects), Photoshop (Adobe), Premiere (Adobe), Director (Macromedia), DeBabelizer (Equilibrium) and Apple Media Tools (Apple).

• Operated GVG 200 Vision Mixer, GVG Kaleidoscope, ADO 3000, Sony BVE 9000 and Sound Craft 200 audio mixer.
• Created special effects and edited video programs for national broadcasting.

• Planned postproduction operations trained new employees, developed a synchronization interface to increase editor's efficiency, edit and build multi-layered special effects.

Out Law Pursuit (Feature film)

• As a Sound Engineer, have supervised the boom operators and recorded the live dialog.
• In addition, have planned and defined the ADR process for this movie.
• After the completion of the principle photography, have assumed the role of Assistant Editor and Sound Effects Editor.
• In this position, have synchronized the sound track and marked the shot according to the script.
• Have maintained a coherent log of all the shots and tracked all the film assets.
• More so, have researched and created all the necessary sound effects for this film.
• Then, have assembled these sound effects to further the development of story.

• B. A. Radio, Television and Film.
• Related courses: Graphic Arts, Film and Video Post Production, Special Effects, Film and Television Lighting, Production Management, USC Cinema Workshop, Mechanics of Physics and Calculus for Business.
• Additional course works in Java, C and C++.